Today, I'm incredibly excited to unveil the inaugural edition of a series I've been working on, in secret, for weeks.
In short, the British Genre Fiction Focus is a column concerned with news and new releases in the UK that I'll be writing for Tor.com on a weekly basis, and the opening instalments are upon us.
Once you've finished with the introduction - wherein I sing the praises of speculative fiction in Britain, state my mandate, and, as ever, bemoan the hellish weather - you might also like to take a look at the first edition of the feature for serious.
Here's a titbit from it:
Whether I’m loving a novel or loathing it wholly, finishing a thing is singularly exhilarating.Perhaps you’re wondering why I would say that. The easy answer is because afterwards, I get to start a new story, but the intervening period is worth its weight as well. This is a time of awesome possibility. Of truly immeasurable potential. Almost anything could happen in that magical moment, and even if the book I eventually resolve to read is rubbish, that doesn't detract from the thrill of the decision.But picking isn't easy, is it? Sure, some recent releases demand our immediate attention. Mostly, though—for me at least—there are simply so many exciting options that I can spend as long settling on one novel over all the others as it takes me to read it.Have you ever struggled similarly? Well, this column certainly isn't going to help any!In fact, it is my sincerest dream that the British Genre Fiction Focus will make these decisions still more difficult, because of course there are other worlds than those we know. However widely read we may be, there are other authors... other novels... and other issues to consider.
To wit, this column exists to fill a hole we noticed in our coverage of all things weird and wonderful: news and new releases from the British genre fiction industry
So what do I have for you in the first edition of Tor.com’s edifying new feature? Well, fittingly, the British Genre Fiction Focus begins with news of a new genre fiction imprint, a new trilogy, two new covers and a whole new way of doing business.
"That’s in addition to discussion of an excellent selection of promising new novels—including a previously self-published sensation, a standalone scientific romance with the DNA of the weird, and the belated beginning of an epic fantasy saga that’s done very well for itself in North America—all of which will be released in the UK this week."
I had a simply terrific time putting together the inaugural instalment of the British Genre Fiction Focus, and I'm already rounding up news for next week's edition, and thinking about which new releases might make the cut. However, there's nothing hard or fast about the feature at this stage: in fact I would welcome any and all comments about form or content.
But say you don't have any constructive criticism to make. Well... great! It's early doors, of course, but this new column is all about the conversation, so whether you want to ask for clarification or more information, profess your undying adoration for a particular author, or take me to task about something silly I've said, please... feel free.
I'd encourage you to send in tips, too. I'll certainly try to stay on top of the biggest developments in my fair nation's speculative fiction industry, and attempt to keep tabs on the UK's most notable new books, but alas, I am only one man.
Hard to believe, but I've been reviewing books for Tor.com for nearly two years now. That said, this marks the first time I've committed to contributing something of such magnitude, so I would be massively obliged if you could show your support in some way for the British Genre Fiction Focus.
Thanks in advance! :)