Showing posts with label Kim Newman. Show all posts
Showing posts with label Kim Newman. Show all posts

Thursday, 29 October 2015

Book Review | The Secrets of Drearcliff Grange School by Kim Newman


A week after Mother found her sleeping on the ceiling, Amy Thomsett is delivered to her new school: Drearcliff Grange in Somerset. 

Although it looks like a regular boarding school, Amy learns that Drearcliff girls are special: the daughters of criminal masterminds, outlaw scientists and master magicians. Several of the pupils also have special gifts like Amy’s, and when one of the girls in her dormitory is abducted by a mysterious group in black hoods, Amy forms a secret, superpowered society called the Moth Club to rescue their friend. They soon discover that the Hooded Conspiracy runs through the School, and it's up to the Moth Club to get to the heart of it.

***

It's a credit to Kim Newman that he only rarely writes the novels you think he will. Just look at his last book: An English Ghost Story indubitably did what its title described, but it was—weirdly, wonderfully—as comical as it was creepy, and as interested in depicting the dysfunctional family it followed as it was the spectral presence that pushed them to the inevitable precipice.

Newman's newest—which purports to be the start of a series by Louise Magellan Teazle, the previous occupant of the haunted house at the heart of the aforementioned narrative—is not dissimilar in its evisceration of expectations. The Secrets of Drearcliff Grange School appears to be one thing, namely a classical magical academy narrative along the lines of Miss Peregrine's Home for Peculiar Children. And it is! And it isn't.

"A week after Mother found her sleeping on the ceiling, Amy Thomsett was delivered to her new school. Like a parcel," (p.13) with exactly as much love and care as that imagery entails. Mother, you see, is not best pleased that her daughter has developed such particular Abilities:
In the months since she first came unstuck from the ground, Amy had been subjected to cold baths, weighted pinafores, long walks, hobbling boots and a buzzing, tickling electric belt. Leeches and exorcism were on the cards. Mother's whole idea in sending Amy to Drearcliff was to clamp down on floating. (p.22)
As it happens, however, Amy's new school—"a rambling, gloomy, ill-repaired estate on top of a cliff" (p.13)—is not at all what Mother had imagined. Instead, it's a place where unseemly tendencies are accepted. Encouraged, even, since Headmistress considers it Drearcliff's responsibility to help Amy and the other Unusuals she'll meet in the year Newman's novel narrates to find Applications for their array of Abilities.

Needless to say, not all of the students studying at Drearcliff are as welcoming as Dr. Swan...

Friday, 9 November 2012

Book Review | Anno Dracula by Kim Newman


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It is 1888 and Queen Victoria has remarried, taking as her new consort Vlad Tepes, the Wallachian Prince infamously known as Count Dracula. Peppered with familiar characters from Victorian history and fiction, the novel follows vampire Geneviève Dieudonné and Charles Beauregard of the Diogenes Club as they strive to solve the mystery of the Ripper murders.

Anno Dracula is a rich and panoramic tale, combining horror, politics, mystery and romance to create a unique and compelling alternate history. Acclaimed novelist Kim Newman explores the darkest depths of a reinvented Victorian London.

This brand-new edition of the bestselling novel contains unique bonus material, including a new afterword from the author, annotations, articles and alternate endings to the original novel.

***

The first chapter of Anno Dracula is taken directly from the diary of Dr. Seward. Herein the practitioner prowls the shadowy alleys of Whitechapel in search of a vampire to victimise, and in this strangely changed London, he isn't looking long. All too soon he happens upon Lulu Schön, and haunted by the loss of Lucy, the love of his life, Seward proceeds to systematically separate her head from her neck with a sharp silver knife.

Unaccustomed as we are at this early stage to the new world order of Kim Newman's 1992 novel, said slaying seems normal enough for a nosferatu narrative, but the inversion of this penny dreadful premise immediately realigns it in our minds. Had Lulu been a lone vampire stalking the seedy streets - as one presumes though the prologue - there would perhaps be a certain method to Seward's murderous madness. In Anno Dracula, however, she is merely one of an increasing number: the get of Vlad Tepes - now crowned Queen Victoria's royal consort - are everywhere, thus this third cold-blooded killing threatens to tear undead London asunder.
"Everyone began their arguments by declaring that it was about more than just three butchered harlots. It was about Disraeli's 'two nations', it was about the regrettable spread of vampirism among the lower classes, it was about the decline of public order, it was about the fragile equilibrium of the transformed kingdom. The murders were mere sparks, but Great Britain was a tinderbox." (p.109)
To bring the serial killer quickly christened Jack the Ripper to account for his crimes against inhumanity, the Diogenes Club dispatches Charles Beauregard, a rather dashing yet halfway hapless spy. Undertaking the subsequent investigations alongside the aforementioned agent of the Empire, the conflicted vampire rights activist Geneviève Dieudonné - an elder like Vlad Tepes herself - pursues Seward for her own reasons.

These, then, are our primary perspectives - exemplary and complementary, even as romance blooms between the pair like a puddle of blood - though we observe the unfortunate events of Anno Dracula from a few other points of view too; including the British Prime Minister's, and of course our killer's. But Charles and Geneviève are the heart and soul of this dark yet delightfully affectionate diatribe. They are fundamentally decent yet fittingly mysterious people who chaperone readers respectfully rather than condescendingly through the many complexities of an initially dense setting and the intense tale which plays out later.

The world, meanwhile, is built magnificently. Cribbing as much from fiction as history, Newman allows us ample opportunity to luxuriate in a wonderful London - conjured whole cloth from a vast patchwork of fabrics - that is at once familiar and different from the city we've all visited, if not literally then in literature, at least. It comes across convincingly, and comprehensively thought-through - such that the author's extensive annotations, aside the other stocking stuffers new to Titan's essential edition, make for rewarding reading in their own right - but neither overbearing nor, crucially, convoluted.
"It still seems to me something of a disappointment that Stoker's villain, after all his meticulous planning and with five hundred years of scheming monstrousness under his cloak, has no sooner arrived in Britain than he trips up and sows the seeds of his eventual undoing by an unlikely pursuit of the wife of a provincial solicitor." (pp.450-451)
As to the idea animating Anno Dracula, encapsulated by the author above: I admit it might not seem so novel in this over-saturated day and age, but fully two decades ago, upon the original publication of Newman's pitch-perfect pastiche, I warrant it was exactly that. And even now, this fiction is so rich and well-wrought that it stands head and shoulders (not to mention necks) above the most considered contemporary contenders.

A magnificent mash-up of fantastic fact and fantasies derived from fiction, Anno Dracula by Kim Newman is an enthralling alt-historical horror novel from word one, and it only becomes more glorious as it goes. One wonders how a chronicle of this caliber could possibly have fallen out of fashion in the first! If there's any justice in the world, its revision and reissuing in the modern marketplace in anticipation of Johnny Alucard's release next year should serve its author as well as this edition indubitably does us.

***

Anno Dracula
by Kim Newman

UK & US Publication: May 2011, Titan Books

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