Once upon a time, in a land blighted by terror, there was a very clever boy.
The people thought the boy could save them, so they opened their gates and sent him out into the world.
To where the monsters lived...
***
Whether it's a character that captures us or a narrative that enraptures us, a situation that speaks to something unspoken or a conflict that builds on something broken—who can say, on this or any other day, what makes a book a bestseller? The quality of a given novel has next to nothing to do with its success on store shelves, that's for sure. Plenty of bad books have shifted millions, and many more deserving efforts have come and gone to no such notice. It's a blessing, then, when a truly wonderful work of fiction becomes a bestseller... but it can also be a burden.
The Girl With all the Gifts was probably the best zombie novel to have been released in recent years, and it sold hella well—well enough to spawn a movie that was also pretty swell. But while the next book to bear M. R. Carey's name was a dark delight in its own right, Fellside didn't catch on in the same way, I'm afraid.
To wit, I wasn't entirely surprised when I heard that Carey's new novel was a sidequel of sorts to The Girl With all the Gifts. I was, however, concerned; concerned that setting a second story in the same world that Melanie and Miss Justineau so wholly inhabited ran the risk of diminishing their devastating adventures. Happily, The Boy on the Bridge bears its burden brilliantly, and I can only hope it's as blessed by the book-buying public as its predecessor.
It is, admittedly, a little derivative. And I don't just mean that it tugs on many of the same heartstrings The Girl With all the Gifts did—though it does, ultimately: The Boy on the Bridge is an equally bleak book, and equally beautiful, too. But that's not it either. I'm talking about the plot, which is, at least initially, almost a mirror image of its predecessor's: it's an apocalyptic road story about the relationship between a teacher and her unusual student.
The Girl With all the Gifts was probably the best zombie novel to have been released in recent years, and it sold hella well—well enough to spawn a movie that was also pretty swell. But while the next book to bear M. R. Carey's name was a dark delight in its own right, Fellside didn't catch on in the same way, I'm afraid.
To wit, I wasn't entirely surprised when I heard that Carey's new novel was a sidequel of sorts to The Girl With all the Gifts. I was, however, concerned; concerned that setting a second story in the same world that Melanie and Miss Justineau so wholly inhabited ran the risk of diminishing their devastating adventures. Happily, The Boy on the Bridge bears its burden brilliantly, and I can only hope it's as blessed by the book-buying public as its predecessor.
