Book Review | A Borrowed Man by Gene Wolfe

It is perhaps a hundred years in the future, our civilization is gone, and another is in place in North America, but it retains many familiar things and structures. Although the population is now small, there is advanced technology, there are robots, and there are clones.

E. A. Smithe is a borrowed person. He is a clone who lives on a third-tier shelf in a public library, and his personality is an uploaded recording of a deceased mystery writer. Smithe is a piece of property, not a legal human.

A wealthy patron, Colette Coldbrook, takes him from the library because he is the surviving personality of the author of Murder on Mars. A physical copy of that book was in the possession of her murdered father, and it contains an important secret, the key to immense family wealth. It is lost, and Colette is afraid of the police. She borrows Smithe to help her find the book and to find out what the secret is. And then the plot gets complicated.

***

Gene Wolfe continues to play with the nature of narrators in his mostly notional new novel, a middling murder mystery explicated from the perspective of a posthumous author pretending to be a detective.

The story starts with Colette Coldbrook: sweetheart teacher, well-spoken socialite and, in the early parts of the narrative, something of a survivor. A year or so ago, she suddenly lost her mother; a little later, her father suffered a suspicious heart attack; and in the aftermath of that latter's passing, her beloved brother was straight-up strangled. She has no-one to turn to, now, and so many questions—not least about the unassuming book Conrad Coldbrook Junior found in Conrad Coldbrook Senior's safe.

Colette believes—with good reason, even—that Murder on Mars may be the key to understanding what happened to her family, and perhaps why, but beyond that, she doesn't have a clue what to do. The thought of reading this fictional fossil doesn't cross her ultra-modern mind for a minute. Instead, she does the other obvious thing: she rents out a so-called "reclone" of the author of the novel, E. A. Smithe, from her local library, and asks him to do the dirty work.

Now it might be that Smithe comes complete with most of his long-dead predecessor's memories, but he doesn't remember much about Murder on Mars—and to make matters worse, he's a copy of a crime writer rather than anything resembling a detective himself:

I was not the man I thought I was, the one whose name I used—whose name I still use right now, for that matter. I was somebody else, a kid who had been grown from that guy's DNA and loaded up with his memories, phony memories of things that never happened to me and never could happen to me. (p.36)

Thus, the investigation into the curious case of the Coldbrooks proceeds in frustrating fits and stuttering starts, regularly interrupted by Smithe's soul-searching and set back substantially when Colette is (apparently) kidnapped. "The more I thought about it the surer I got that there was something funny going on, but I could not even guess what it was." (p.106)

Book Review | The Strange Library by Haruki Murakami

"All I did was go to the library to borrow some books."

On his way home from school, the young narrator of The Strange Library finds himself wondering how taxes were collected in the Ottoman Empire. He pops into the local library to see if it has a book on the subject. This is his first mistake.

Led to a special 'reading room' in a maze under the library by a strange old man, he finds himself imprisoned with only a sheep man, who makes excellent donuts, and a girl, who can talk with her hands, for company. His mother will be worrying why he hasn't returned in time for dinner and the old man seems to have an appetite for eating small boys' brains. How will he escape?

***

A couple of months ago, a story about the closure of yet another local library caught my eye at the same time as I was searching for a subject for the sixty-some students I teach to tackle—a problem of sorts for them to set about solving. I had in my head an exercise which would require each pupil to suggest a selection of strategies that might make the local library relevant again. 

Quite quickly we hit a wall, as I recall. It wasn't that the kids didn't grasp the task at hand; if anything, they understood the problem too well. None of them, you see—not a one—had even been to a library, far less used its facilities. In short order I saw that I'd based the week's work on a false premise: that local libraries had ever been relevant to them.

They certainly were to me, once—as they are to the narrator of The Strange Library by Haruki Murakami: a nearly new novelette from the author of Colorless Tsukuru Tazaki and His Years of Pilgrimage.

Originally released in Japan in the lean years between After Dark and IQ84, The Strange Library, as translated by Ted Goosen, tells the tale of an anonymous boy who gets more than he bargained for when, on the way home from school one afternoon, he visits his local library to look through a textbook or two:

To tell the truth, I wasn't all that eager to learn about Ottoman tax collection—the topic had just popped into my head on the way home from school. As in, I wonder, how did the Ottomans collect taxes? Like that. And ever since I was little my mother had told me, if you don't know something, go to the library and look it up. (p.7)

To that end, The Strange Library's nameless narrator is directed to a room in the basement of the building, where "a little old man" with "tiny black spots [dotting] his face like a swarm of flies" (p.6) suggests several suitable books. The thing is, these books can't be borrowed—they have to be read in the reading room—and though the boy is already second-guessing himself, he's so obscenely obedient that he allows this apparent assistant to shepherd him still deeper into the library's lower levels.