Showing posts with label middle volume syndrome. Show all posts
Showing posts with label middle volume syndrome. Show all posts

Wednesday, 15 March 2017

Book Review | The Erstwhile by Brian Catling


In London and Germany, strange beings are reanimating themselves. They are the Erstwhile, the angels that failed to protect the Tree of Knowledge, and their reawakening will have major consequences.

In Africa, the colonial town of Essenwald has fallen into disarray because the timber workforce has disappeared into the Vorrh. Now a team of specialists are dispatched to find them. Led by Ishmael, the former cyclops, they enter the forest, but the Vorrh will not give them back so easily. To make matters worse, an ancient guardian of the forest has plans for Ishmael and his crew. 

Meanwhile a child of mixed race has been found abandoned in a remote cottage. Her origins are unknown, but she has powers beyond her own understanding. Conflict is coming, as the old and new, human and inhuman are set on a collision course. 

Once again blending the real and the imagined, The Erstwhile brings historical figures such as William Blake and places such as the Bedlam Asylum, as well as ingenious creations such as The Kin (a family of robots) together to create unforgettable novel of births and burials, excavations and disappearances.

***

More than four years on from The Vorrh, professor and performance artist Brian Catling is back with a book that explodes the exceptional premise of its predecessor at the same time as falling short of fulfilling its awesome promise.

The Erstwhile shifts the focus of the darkly fantastic fiction from the forest around which the first volume revolved to one of its many denizens. "No one quite knew what they were. But they had been given a name, which translated into 'of Before' or 'the Previous' and finally settled as "the Erstwhile.' Some said they were 'undead, angels, spirits embodied in flesh.' All that was known was they were as ancient as the forest itself." And the vast Vorrh, held close to the heart of Africa like an unspeakable secret, is at least as old as us. Indeed, "there is a deep belief that this land is sacred and may be the physical geographic location of the biblical Eden."

What business, then, does man have messing with it?

None, n'est-ce pas? But where there's wood, there's timber, and where there's timber, there's industry—a truism even in this alternate history. That industry animates the settlement of Essenwald, where the majority of the events of The Erstwhile occur. Truth be told, though, the Timber Guild has been having a tough time of it since the Vorrh started screwing with its various visitors:
The forest had a malign influence at its very core. Some said it was an unknown toxicology of plant and oxygen. Others said it was a disturbance in its magnetic resonance. A few said it was haunted and that its evil nature was responsible. In fact, nobody knew why prolonged exposure to the trees caused distressing symptoms of amnesia and mental disintegration. No matter what or who they tried, all was in vain. Nobody could work for more than two days in the Vorrh without contamination.
Nobody, that is, other than the Limboia. "They were hollow humans" whose lack of humanity left little for the forces of the forest to fuck with. And yet even the Limboia have been lost. As of the outset of The Erstwhile, they've been missing for some months, and without them, Essenwald's singular industry has stuttered to a costly stop. Alas and alack that the Powers That Be in that precarious place are prepared to do whatever it takes to get these beings back.

Thursday, 25 August 2016

Book Review | The Obelisk Gate by N. K. Jemisin


The season of endings grows darker, as civilisation fades into the long cold night.

Essun—once Damaya, once Syenite, now avenger—has found shelter, but not her daughter. Instead there is Alabaster Tenring, destroyer of the world, with a request. But if Essun does what he asks, it would seal the fate of the Stillness forever.

Far away, her daughter Nassun is growing in power—and her choices will break the world.

***

Middle volume syndrome sets in in the surprisingly circumspect sequel to one of the best and bravest books of 2015. Though the world remains remarkable, and the characters at the heart of the narrative are as rich and resonant as ever, The Obelisk Gate sacrifices The Fifth Season's substance and sense of momentum for a far slighter and slower story.

In the Stillness, a perpetually apocalyptic landscape which may or may not be our planet many generations hence, purpose is a pre-requisite. A use-caste, it's called. There are strongbacks and breeders and cutters and hunters, to name just a few, all of whom are defined by what they do; by what they can contribute to the communities, or comms, that they call home.

This is a hard world, however, replete with hard people. Season after Season—of widespread death by choking, boiling and breathlessness among other, equally unpleasant ends—has seen to that, so no comm will carry you if you're not prepared to pull your weight in some way. In the Stillness, there's just no place for waste.

No place for orogenes like our heroes, either. Able as they are to manipulate thermal and kinetic energy, orogenes, or roggas, have huge power, and with it, responsibility. That they could choose to behave irresponsibly, or behave in that fashion by accident, represents a risk most of the men and women of this world aren't willing to take. To wit, orogenes are either slaughtered as soon as they start exhibiting abilities, or sent to the Fulcrum, to be trained; some might say tamed.

Dear little Damaya, The Fifth Season's first perspective, was one such soul, summarily taken from her parents simply because she was different. At the Fulcrum, she was shaped—through pain and the promise of gain—into Syenite, said text's second perspective, but when, years later, she discovered the depths of the depravity underpinning this facility, she escaped, and again changed her name. As Essun, the third of The Fifth Season's three POVs, she met a man and had a family, all while hiding what she was, as well as what her children were... just as N. K. Jemisin hid the fact that her novel's seemingly separate narrators were one and the same.

That discovery packed a proper punch, but it's a known quantity now—as indeed is Essun's deception.