Book Review | The Rabbit Back Literature Society by Pasi Ilmari Jääskeläinen

Only nine people have ever been chosen by renowned children’s author Laura White to join the Rabbit Back Literature Society, an elite group of writers in the small town of Rabbit Back. Now a tenth member has been selected: a young literature teacher named Ella. 

Soon Ella discovers that the Society is not what it seems. What is its mysterious ritual known as "The Game"? What explains the strange disappearance that occurs at Laura White’s winter party? Why are the words inside books starting to rearrange themselves? Was there once another tenth member, before her? Slowly, as Ella explores the Society and its history, disturbing secrets that had been buried for years start to come to light.

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Pasi Ilmari Jääskeläinen proposes that places, like people, have particular interests. Some specialise in film; some in food. Others areas boast about an abundance of athletes, or artists, or authors. The small town of Rabbit Back "was known to have no less than six writers' associations, and that was without counting the most noteworthy writers' association, the Rabbit Back Literature Society, which accepted members only at Laura White's invitation."

Laura White is an almost mythical figure in the Finland of this baffling but beautiful English-language debut, which is fitting considering the contents of the Creatureville series:

The local ceramicists for the most part produced water sprites, pixies, elves, and gnomes. Laura White had made these creatures popular all over the world through her children's books, but in Rabbit Back in particular you ran into them everywhere you looked. They were presented as prizes in raffles, given as presents, brought to dinner as hostess gifts. There was only one florist in Rabbit Back, but there were seven shops that sold mostly mythological figurines.

To be taken under Laura White's wing is no little thing, then, and though she hasn't asked anyone to join the Society in some time—in forty-odd years, in fact—speculation about a potential tenth member remains a sensational subject, so when an invitation is unexpectedly extended to substitute language and literature teacher Ella Amanda Milana, Rabbit Back pretty much erupts.

Ella herself jacks in her job to focus on her fiction, but at the ball where she and her sponsor are meant to meet, the Lynchian mystery this book is about begins:

There was a party, then there was a snowstorm in the house and Laura White disappeared right in front of everyone's eyes, and the tenth member isn't going to be trained after all. That's it in a nutshell.

Book Review | The Book of the Dead, ed. Jared Shurin

The Book of the Dead addresses the most fascinating of all the undead: the mummy. This anthology includes nineteen original stories of revenge, romance, monsters and mayhem, ranging freely across time periods, genres and styles. Paul Cornell takes an Egyptian monarch on an unusual — and contemporary — journey to redemption in 'Ramesses on the Frontier'; Gail Carriger gives readers a peek into the history of the Parasol Protectorate series and the Tarabotti family in 'The Curious Case of the Werewolf that Wasn’t, The Mummy that Was and the Cat in the Jar'; Maria Dahvana Headley raises discomfiting new questions about the candy industry in 'Bit-U-Men'; and Jesse Bullington features a young man who finds an unlikely role model in 'Escape from the Mummy’s Tomb.'

Illustrated by Garen Ewing, creator of The Adventures of Julius Chancer, and introduced by John J. Johnston, Vice Chair of the Egypt Exploration Society — which The Book of the Dead is published in collaboration with — the anthology also contains new stories from David Thomas Moore, David Bryher, Molly Tanzer, Sarah Newton, Lou Morgan, Maurice Broaddus, Adam Roberts, Michael West, Den Patrick, Roger Luckhurst, Jenni Hill, Glen Mehn, Jonathan Green, Louis Greenberg and Will Hill.

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Once upon a time, genre fiction made much of the mummy, but in recent years, as its undead brethren have taken centre stage in the popular consciousness — all blood and brains of late — this staple of scary stories through the ages, from Bram Stoker through to R. L. Stine and the like, has as good as gone to ground.

It's hardly hard to imagine why. What the mummy represents is more abstract, after all, and thus markedly harder to capture than the vampire's transgressive sexuality or the insatiable hunger of the modern zombie, so in literature and in cinema, the mummy has frequently been depicted as rather ridiculous, such that the whole concept seems — not to put too fine a point on it — kinda sorta silly.

But then, so did the prospect of Transylvanian vampires and hobbling zombie mobs until certain stories gave them a new lease of life. In The Book of the Dead, the latest anthology project out of Jurassic London — the same not-for-profit small press behind The Lowest Heaven, which impressed me immensely — nineteen authors new and old do their damndest to make the mummy relevant again, and most, indeed, succeed.

Working in collaboration with the Egypt Exploration Society, whose Vice Chair introduces the book, and with occasional illustrations by Garen Ewing, creator of The Adventures of Julius Chancer, editor and Tor.com irregular Jared Shurin has assembled in The Book of the Dead an eclectic assortment of shorts that cumulatively recast the classic narratives we have come to expect from stories out of the mummy mold.